Curriculum Vitae | ||
---|---|---|
1942 | Born in Los Angeles, California | |
1953-58 | Chouinard Institute, Los Angeles | |
1960-64 | University of Los Angeles, Bachelor of Fine Arts | |
1962 | Yale University Summer School of Art | |
1964-66 | Kunstakademie München | |
1966-68 | Indiana University, Bloomington, Master of Fine Arts | |
1968-69 | Lived and worked in Abensberg, Bavaria | |
1969-73 | Assistant Professor of Fine Arts, State University College of New York at Buffalo, NY | |
1973-90 | Lived and worked in Landshut, Bavaria | |
1990 | Died on October 20 | |
Prizes and Scholarships | ||
1955-58 | Chouinard Art Institute Scholarships | |
1962 | Yale University Scholarship | |
1962-64 | University of California Art Council Scholarships | |
1963 | Tiffany Foundation Fellowship in Painting | |
1964-66 | Fulbright Grant in Painting | |
1966-68 | Indiana University Fellowship | |
1972 | National Academy of Design, Hallgarten Prize | |
1976 | National Endowment of the Arts Grant | |
Works in Public and Private Collections | ||
Indiana University Museum of Art, Bloomington, IN | ||
Pennsylvania State University Museum of Art | ||
Albright-Knox Art Gallery, Buffalo, NY | ||
Burchfield Penney Art Center, Buffalo, NY | ||
Whitney Museum of American Art, New York, NY | ||
Delaware Art Museum, Wilmington, DE | ||
Virginia Museum of Fine Arts, Richmond, VA | ||
Neue Galerie-Sammlung Ludwig, Aachen | ||
Wien, Museum Moderner Kunst, Sammlung Ludwig | ||
Städtische Galerie im Lenbachhaus, München | ||
Morton Newman Collection, Chicago | ||
Edmund Pillbury Jr. Collection, New Haven, , CT | ||
Claude Bernard, Paris | ||
Lehman Brothers, Kuhn Loeb ,Inc. New York | ||
Cleveland Museum of Art, Cleveland, OH | ||
St.Louis Art Museum , St.Louis, MO | ||
New Jersey State Museum, NJ | ||
Single Exhibitions | ||
1968 | Indiana University State Gallery | |
1973 | Albright-Knox Art Gallery, Buffalo, N:Y. | |
1973 | Robert Schoelkopf Gallery, New York, N.Y. | |
1976 | Neue Galerie- Sammlung Ludwig, Aachen | |
1976 | Robert Schoelkopf Gallery New York, N.Y. | |
1981 | Städtische Galerie im Lenbachhaus, München | |
1981 | Robert Schoelkopf Gallery,New York City | |
Participation in Exhibitions | ||
1966 | Haus der Kunst, Munich | |
1967 | John Herron museum, Indianapolis | |
1969 | Poetischer amerikanischer Realismus, | |
2 person exhibition with Don Wynn, Galerie Hartmann, Munich | ||
1970 | New Acquisitions, Whitney Museum of American Art, N.Y. | |
1972 | Realism Now, The New York Cultural Center, N.Y. | |
1973 | National Institute of Arts and Letters, New York | |
1974 | 7 Realists, Yale University Art Gallery, New Haven | |
Living American Artists and the Figure , The Pennsylvania State University | ||
New Images, The Queens Museum, New York | ||
Art on Paper, Weatherspoon Art Gallery, University of North Carolina | ||
1975 | The National Institute of Arts And Letters, New York | |
1977 | Sammlung Ludwig, Wien Künstlerhaus | |
30 Years of American Art 1945-1975, Whitney Museum of American Art, N.Y. | ||
National Academy of Design, New York | ||
1978 | The Still Life, Forum Gallery, New York | |
1979 | The Big Still Life, Allan Frumkin Gallery, New York | |
1980 | The Sydney and Frances Lewis Contemporary Art Fund Collection, Virginia Museum, Richmond | |
Contemporary Naturalism. Works of the 1970's, Nassau County Museum of Fine Art | ||
The FigurativeTradition and The Whitney Museum of American Art, Whitney Museum, N.Y. | ||
Still Life Today, Goddard-Riverside Community Center, New York | ||
1981 | Contemporary American Realism since 1960, Pennsylvania Academy of Fine Arts, Philadelphia | |
Painting from Permanent Collection since 1940, Whitney Museum of American Art, NY, Nov. 1981 | ||
Collector's Choice, St.Louis Art Museum | ||
Art on Paper, Weatherspoon Art Gallery, The University of Northern Carolina at Greensboro | ||
1982 | Contemporary American Realism since 1960, Virginia Museum of Fine Arts, Richmond, VA | |
Contemporary American Realism, Oakland Museum, Oakland, California | ||
An Appreciation of Realism, Museum of Art Munson-Williams-Proctor Institute, Utica, NY | ||
Contemporary American Realism, Gubiankin Museum, Lissabon, Portugal | ||
Contemporary American Realism, Germanisches Nationalmuseum, Nürnberg | ||
1983 | 2 person exhibition with Daniel Dallman, Louisville, Kentucky | |
1986 | American Realism, travelling exhibition Boston, Chicago, Dallas, Los Angeles, New York, | |
San Francisco, Washington, D.C. | ||
Bibliography | ||
Wolfgang Becker, Das Kunstwerk, 2XXV 1972, p.48 | ||
Robert Pincus-Witten, 22 Realists-Whitney Museum New York. In:Art Forum, April 1970, p.75 | ||
Up from Slavery by J.H. Plumb (illustration for the article) pp 80/81 in: | ||
Horizon Summer,1971. Volume XIII, Number 3 American Heritage Publishing Co. 1971 | ||
Bruce Boyce, Paul Wiesenfeld. RobertSchoelkopf Gallery. In: Art Forum, Mai 1973, p.79 | ||
W. Neil Marshal, in: Art International, XVII/6, Summer 1973.p.42 | ||
Peter Sager, Neue Formen des Realismus, Köln 1974, p.179 | ||
Doreen Mangan, Paul Wiesenfeld redefines the still life. In: American Artist.38 (August 1974).p.24f | ||
Carol Troyen, Paul Wiesenfeld. In: Seven Realists. Yale University Art Gallery, 1974, p.35f | ||
Jonathan Crary, in: Arts Magazine, Oct.1976, p.4 | ||
Renate Puvogel, Paul Wiesenfeld, in: Das Kunstwerk, 4 XXIV 1976, p.85 | ||
Wolfgang Becker, Paul Wiesenfeld, ein Maler. Cat.Neue Galerie -Sammlung Ludwig, Aachen 1976 | ||
Paul Stimson, Paul Wiesenfeld at Schoelkopf, in:Art in America Jan./Feb.1977, p.123f | ||
Art News, Jan. 1977, p.123 | ||
Corinna Smith, Brian Wahis, The big still life. In: Arts Magazine, May 1979,p.15 | ||
(author unknown) Leuchtende Droge. In: Das Kunstmagazin8, 1980, p.58f | ||
The New York Times, Friday, Oct.8, 1976. An Expatriate on Native Grounds by Hilton Kramer section C p.20 | ||
Wolfgang Becker, Der ausgestellte Künstler, Aachen, Sammlung Ludwig 1977 | ||
The Sydney and Frances Lewis Contemporary Art Fund Collection, 1980, The Virginia Museum of Fine Arts | ||
The Big Still Life, Allan Frumkin Gallery, Cat. 1979 | ||
Patricia Hells, The Figurative Tradition and the Whitney Museum of American Art, pp.143,144 ,1980 | ||
Wolfgang Becker, Paul Wiesenfeld, Städtische Galerie im Lenbachhaus. Cat.17.12. 1980 | ||
Wolfgang Längsfeld, Arrivierte und Nachwuchskünstler, Süddeutsche Zeitung, Dec.1980,pp24-26 | ||
Peter M. Bode, Wiesenfeld im Lenbachhaus, München Abendzeitung, Dec.17 1980 | ||
Barbara Emde, Zum Kunsthandel in New York, Süddeutsche Zeitung, Aug.31, 1981 | ||
Hilton Kramer, Portraiture- the Living Art, in: Harper's Bazaar, pp.14,26,27, March 1981 | ||
Ullsteins Gourmet, Ein amerikanischer Realist in Landshut, Paul Wiesenfeld und sein Werk, | ||
Fotos von Stefan Moses. Bericht von Franz Spelman, pp54-60, May 1981 | ||
The New Times, Sunday April 19, 1981, The Guide. p.21 | ||
Hilton Kramer, The New York Times, Friday May 8, 1981, section C, p.18 Paul Wiesenfeld | ||
Art in America, Sept. 1981, More Contemporary Realism at the Pennsylvania Academy, p.94 | ||
Arts ,Magazine, Sept.1981, Arts Reviews by Susan Fort, Paul Wiesenfeld. p.28 | ||
Art News, Nov.1981, New York Reviews, by Ruth Bass, Paul Wiesenfeld, p.191 | ||
Hilton Kramer, The New York Times, The Return of the Realists, Sunday Oct.25, 1981, section 2 | ||
Frank H. Goodyear, Jr., Contemporary American Realism since 1960, New York Graphic Society | ||
Boston and Pennsylvania Academy of the Fine Arts, p.39. 67, 166,169 | ||
Eastern Review, Sept. 1981, The New Realism by Phil Patton, pp. 7, 46 | ||
Dr. Peter Sager, Du Mont Art 1983, Kalendarium, November, delivery date July 1982 |